Unable to find a conventional story in The Orchid Thief, screenwriter Charlie Kaufman turns his own crisis into an increasingly self-referential adaptation.
- Scenes 1–9
Charlie inhabits an isolated, self-condemning world while Orlean’s book supplies a distant model of obsession.
- Scenes 10–88
Charlie wants to write honestly and make flowers matter, while also longing to be desired and understood.
- Scenes 89–105
He leaves his familiar writing room and goes to Florida to search for the story firsthand.
- Scenes 106–126
The swamp is ordinary, Orlean’s research fails, and Charlie experiments with increasingly personal versions of the book.
- Scenes 127–144
Charlie finds a way to focus the material by putting himself in it, then commits to meeting Orlean.
- Just before
- Scene 153
Charlie walks into the New Yorker building with determined anxiety.
- Scene 154
Charlie waits outside the elevator as people pass without him getting on.
- Scene 155
Laroche leads Orlean into the black water and points out orchids while promising to find her a ghost.
- Scene 156
This scene
