Unable to find a conventional story in The Orchid Thief, screenwriter Charlie Kaufman turns his own crisis into an increasingly self-referential adaptation.
- Scenes 1–9
Charlie inhabits an isolated, self-condemning world while Orlean’s book supplies a distant model of obsession.
- Scenes 10–88
Charlie wants to write honestly and make flowers matter, while also longing to be desired and understood.
- Scenes 89–105
He leaves his familiar writing room and goes to Florida to search for the story firsthand.
- Scenes 106–126
The swamp is ordinary, Orlean’s research fails, and Charlie experiments with increasingly personal versions of the book.
- Scenes 127–144
Charlie finds a way to focus the material by putting himself in it, then commits to meeting Orlean.
- Just before
- Scene 174
McKee says originality comes from more than eccentricity as a student reacts behind Charlie.
- Scene 175
McKee argues that cinema must be vivid and active rather than a recording of ordinary life.
- Scene 176
McKee lands a joke about Michelle Pfeiffer and dismisses the exhausted class.
- Scene 177
This scene
