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BLUE MOON · written by Robert Kaplow · 2025
Scene 17 of 26 · ≈ 1 min on screen · Act two
On the opening night of Oklahoma!, lyricist Lorenz Hart drinks through Sardi's while chasing one last renewal with Richard Rodgers and the young woman he adores, but both are already moving beyond him.
Hart leaves the show that displaced him for his Sardi's habitat, where wit and remembered greatness keep fear at bay.
Hart needs Elizabeth to choose him and Rodgers to need him, while drink offers the quicker form of consolation.
He admits White into his private mythology and steps into the Oklahoma! celebration to confront the people he cannot keep.
Hart greets Rodgers and Hammerstein with extravagant praise, conceals his jealousy, and lets Rodgers pull him aside to discuss work.
Rodgers offers a Connecticut Yankee revival, but Hart's Marco Polo pitch and refusal of professional discipline expose the partnership's fracture and Hammerstein's succession.
Hart admits to White that he has quietly entered life's 'for worse' years, inspires the name Stuart with his recurring mouse story, and retreats toward the men's room.
This scene
The CIGARETTE GIRL has been flirting with Eddie.
LANGNER (O.S.) (CONT'D)
(reads)
Richard Rodgers has written a show
with the finest musical scores any
musical play ever had.
EDDIE
OK, I got something funny. What do
you call a tired homosexual?
CIGARETTE GIRL
I don't know.
Painful pause.
EDDIE
Fuck, I forgot.
CIGARETTE GIRL
That's really funny.
LANGNER (O.S.)
(reads)
The play's spine tingling, out of
this world!