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Sinners · written by Ryan Coogler · 2025
Scene 87 of 110 · ≈ 3 min on screen · Act two
In 1932 Mississippi, gifted sharecropper-bluesman Sammie Moore wants to make a life in the blues beyond his preacher father's rules, but the opening night of his cousins' juke joint becomes a siege by a vampire offering the community belonging at the price of its freedom.
The legend and prologue frame Sammie's segregated Delta life under his father's church and the twins' shadow.
Sammie wants the freedom, recognition, and musical life he imagines beyond the plantation.
He leaves the plantation with the twins, enters the wider Delta, and helps build their juke joint.
Sammie learns the blues is sacred, meets the room's people, and tries to claim a place among musicians and lovers.
His performance unites the juke with ancestral music and gives him the belonging and voice he wanted.
Remmick, Joan, and Bert arrive outside the opening-night juke after hearing Sammie's music.
Smoke refuses the drifters entry, turning a suspicious visit into the siege of the juke joint.
The survivors choose to stay inside and let Mary investigate the outsiders, entering the vampire problem on their own terms.
Smoke and Sammie argue over whether music is a respectable calling or the life that makes Sammie feel free.
Smoke catches Mary drinking Stack's blood; she survives his gunfire and declares that the whole room will be killed.
Stack dies in Smoke's arms, and Smoke names him the best thing about himself.
Annie explains that Stack is no longer himself and that the vampires must be kept outside.
Smoke locks the mill, announces Stack's death, and watches Bo leave to bring Grace's car around.
Cornbread returns changed, tries to enter without an invitation, and is shot by Smoke when Annie identifies him as a vampire.
Outside the Back Room door, Sammie stands next to Pearline.
KNOCK KNOCK KNOCK. Someone inside the Back Room knocks on the door gently.
Sammie shoots Pearline a look. Clearly rattled. She gives the same one back.
KNOCK KNOCK KNOCK on the door again.
PEARLINE
(sotto voce)
Is somebody in there?
Sammie shakes his head.
He looks under door.
SAMMIE’S POV
He sees movement underneath, but tries to focus.
VO ICE (O.S.)
(sotto)
Hey...
Sammie stands up. Not sure he’s heard what he thought. Puts his ear to the door when-
SHUNK!
THE BLADE OF STACK’S KNIFE plunges through the wood, skimming Sammie’s eyelash. Pearline shrieks.
SAMMIE
Shit!
Sammie looks at the door in shock as the blade is yanked back through the other side of the door, and a familiar laugh is heard.
STACK
Sammie is that you there? Boy I
didn’t mean to scare you. I was
just trying to see through the
other side. Thought ya’ll had
forgot about me in there.
Sammie approaches the door tries looks through the hole. We see an obstructed glimpse of Stack’s toothy grin.
SAMMIE
Uhhh... SMOKE!
Smoke heads over. Sammie points at the door.
SAMMIE (CONT’D)
You sure Stack was dead when you
left him?
Smoke looks back a t Sammie, and thinks on this. He approaches the door.
STACK (O.S.)
Smoke, gone head and open up this
This scene
SMOKE
Stack is that really you?
STACK
Nah fool, it’s Jim Crow. Of course
it’s me.
SMOKE
How... how you feelin’ man? You
lost a lot of blood..?
STACK
Oh yeah. It was scary. But I’m
okay now. I swear. On mama’s
grave.
Grace looks at Smoke, wildly confused.
GRACE
I thought you sai d he was dead?
ANNIE
He was. I checked his pulse.
GRACE
Then what the fuck is he doing
talking to us?
PEARLINE
This is good right? Means he’s
okay?
ANNIE
That ain't Stack.
Annie turns to Smoke.
ANNIE (CONT’D)
You hear me? That ain't your
brother.
DELTA SLIM
Goddamn! If it ain’t Stack then
who the hell is it?
STACK
Smoke whats that witch out there
talkin bout? You gon' let her come
between us again? Huh? She don’t
know shit about us, what we been
through. German trenches and
Chicago gangways. You tell that
bitch to bite her tongue! Let me
out this room Smoke!
Annie and Smoke look at each other. Maybe it is, Stack?
BOOM! A massive kick to the door.
Annie gets an idea and runs towards the kitchen.
STACK (CONT’D)
Let me the fuck out or I swear fo’
God I’ll come out there and lay
all you sons of bitches down.
Close ya’ll eyes for good!
BOOM!
STACK (CONT’D)
Ya’ll know who the fuck I am?
BOOM! Stack BARRELS through the door sendin g it flying to the ground with Sammie underneath it.
Annie arrives holding a mason jar.
Stack, holding his knife, his eyes shimmering, he charges towards Annie who throws the liquid mason jar contents on him.
It sizzles on Stack’s face.
STACK (CONT’D)
Ahhh, shit!
She throws more.
SMOKE
Stop! You’re hurting him!
Smoke grabs Annie, giving Stack enough time to the front door, swing it open, and escape into the night.
SAMMIE
Jesus.
PEARLINE
What was in that jar?
ANNIE
Pickled garlic.
(beat)
These ain't Haints. They vampires.