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Tenet · written by Christopher Nolan · 2020
Scene 108 of 275 · ≈ 1 min on screen · Act two
An unnamed intelligence operative, recruited into a shadow war fought through time-inverted weapons and objects, teams with an enigmatic ally to stop a dying Russian oligarch from using technology gifted by a dying future to erase the present.
The Protagonist in his zone of comfort — a skilled, anonymous field operative, competent and confident inside the Kiev operation.
Broken by torture and 'killed,' he needs a new purpose; Fay offers one that transcends the nation-state loyalties that just got his team killed.
He enters the wholly unfamiliar situation of Tenet — the wind turbine, the password test, and Barbara's proof that time itself can run backward.
The Protagonist begins surveilling Kat at her son's school gates — he commits to using her marriage against Sator, entering the upside-down world of the operation proper.
Kat's appraisal-room scene with the forged Goya begins the relationship — with Kat, and by extension her son Max — that will carry the story's theme of what a parent will do to save a child.
EMTs rush past the staff member into the chaos.
Neil and the Protagonist play unconscious as emergency services burst into the vaults.
They lie low, reassembling their lockpick documents as first responders arrive.
This scene
Neil hangs up his phone –
NEIL
Mahir and Rohan slipped out clean.
(turns to the Protagonist)
I’ve seen too much and I’m still
alive. Which means you’ve decided
to trust me.
PROTAGONIST
Or I’ve lost my edge.
NEIL
Oh, your edge is intact.
The Protagonist looks at Neil.
PROTAGONIST
There’s a cold war.
NEIL
Nuclear?
PROTAGONIST
Temporal.
NEIL
(skeptical)
Time travel?
PROTAGONIST
No. Technology that can invert an
object’s entropy.
NEIL
You mean reverse chronology. Like
Feynman and Wheeler’s notion that
a positron is an electron moving
backwards in time.
PROTAGONIST
Sure, that’s exactly what I meant.
NEIL
I’ve a master’s in physics.
PROTAGONIST
Well, try to keep up.
NEIL
The implications of this are –
PROTAGONIST
Beyond secret.
NEIL
Then why’d you take me in?
PROTAGONIST
I thought we’d find the drawing and
a couple boxes of bullets.
NEIL
You were as surprised as I was.
PROTAGONIST
I’m going back to Mumbai for
answers. I’ll set you up as go-
between. But remember – to you, all
this is about plutonium. Or when
we’re done, they’ll kill you.
NEIL
Won’t you have to anyway?
PROTAGONIST
NEIL
So would I. I think.