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Tenet · written by Christopher Nolan · 2020
Scene 134 of 275 · ≈ 1 min on screen · Act two
An unnamed intelligence operative, recruited into a shadow war fought through time-inverted weapons and objects, teams with an enigmatic ally to stop a dying Russian oligarch from using technology gifted by a dying future to erase the present.
The Protagonist in his zone of comfort — a skilled, anonymous field operative, competent and confident inside the Kiev operation.
Broken by torture and 'killed,' he needs a new purpose; Fay offers one that transcends the nation-state loyalties that just got his team killed.
He enters the wholly unfamiliar situation of Tenet — the wind turbine, the password test, and Barbara's proof that time itself can run backward.
The Protagonist begins surveilling Kat at her son's school gates — he commits to using her marriage against Sator, entering the upside-down world of the operation proper.
Kat's appraisal-room scene with the forged Goya begins the relationship — with Kat, and by extension her son Max — that will carry the story's theme of what a parent will do to save a child.
The Protagonist re-approaches Kat at Amalfi to use her as his entry to Sator, formally locking him into the Sator operation rather than working it from the outside.
The Protagonist is repulsed by what he's witnessed.
Sator checks his pulse on a fitness tracker, unbothered by the killing.
Volkov catches and beats the spying Protagonist.
This scene
The Protagonist, bleeding, is SHOVED into the room –
VOLKOV
He was at the window.
Sator looks at the Protagonist, who nods at the capsule –
PROTAGONIST
I was curious.
SATOR
My property shouldn’t concern you.
Who are you? How do you come by
your information about the opera?
PROTAGONIST
Do I work for intelligence
services? Several, just like you.
You wouldn’t do business with
someone who wasn’t savvy enough to
be recruited. Hell, the CIA
provides two-thirds of the market
for fissile material.
SATOR
They’re usually buying, not
selling. But we do live in a
twilight world...
PROTAGONIST
Is that Whitman? It’s pretty.
SATOR
Next warning’s a bullet in your
brain.
PROTAGONIST
No balls in my throat?
SATOR
There’ll be no time for such things
in Tallinn.
Sator gestures to his men – they lift the capsule. The Protagonist spots DRIED MUD from the latches on the table...
SATOR (CONT'D)
Make your way there. I want Volkov
on the team.
The Protagonist struggles to his feet.
PROTAGONIST
No. I spring the materials, you pay
me off. Your wife does the
exchange.
SATOR
I never involve her in my business.
PROTAGONIST
That’s why I trust her.
SATOR
(to Volkov)
Put him ashore.
PROTAGONIST
How do I contact you?
SATOR
You don’t.
PROTAGONIST
How do you advance me funds?
Sator TOSSES the Protagonist the BLOODY GOLD BAR – the Protagonist FUMBLES it onto the table. Volkov SNEERS –
SATOR
Handle the plutonium better than
that.
The Protagonist, looking Volkov in the eye, picks up the gold bar, scooping DRIED MUD into his hand, unseen.