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Tenet · written by Christopher Nolan · 2020
Scene 172 of 275 · ≈ 1 min on screen · Act two
An unnamed intelligence operative, recruited into a shadow war fought through time-inverted weapons and objects, teams with an enigmatic ally to stop a dying Russian oligarch from using technology gifted by a dying future to erase the present.
The Protagonist in his zone of comfort — a skilled, anonymous field operative, competent and confident inside the Kiev operation.
Broken by torture and 'killed,' he needs a new purpose; Fay offers one that transcends the nation-state loyalties that just got his team killed.
He enters the wholly unfamiliar situation of Tenet — the wind turbine, the password test, and Barbara's proof that time itself can run backward.
Mumbai, London, Oslo, and Amalfi — he adapts to the world of inverted physics and Sator's inner circle, paying costs (Kat's trust, his own safety) to get close to the target.
The Tallinn ambush succeeds — he gets what the mission wanted, extracting the plutonium '241' from the armored convoy.
Sator, split across forward and inverted selves, tortures the Protagonist and shoots Kat, forcing the lie that hands Sator the algorithm's first section — the reversal that reveals the mission was always to lose, not win.
He searches the recovered Saab for the hidden material, in vain.
He drives against a tide of backward traffic, tracking a signal.
The earlier firefight replays in reverse as Sator searches the BMW for the missing material.
This scene
The Protagonist pulls onto a busy highway where the cars are FACING HIM, BUT MOVING IN HIS DIRECTION...
The Saab races along, the only normal-looking car on a road full of cars SPEEDING BACKWARDS...
On the phone, the flashing dot is CLOSER...
Slowing, the Protagonist spots the ORANGE CASE lying empty by the side of the road. He PULLS OVER some distance away – JUMPS out of the car – pulls out his BLUETOOTH EARPIECE and WEDGES it between the foam padding and the orange plastic...
The Protagonist heads back to his car, checks the signal from his phone... PEERS at the case...
The case SHUDDERS TO LIFE – LEAPS INTO THE WINDOW OF A PASSING CAR – THE MERCEDES –
The Protagonist PEELS OUT, DUST FLIES UP IN CLOUDS THAT DON’T FULLY BLOSSOM as expected, but CONTRACT...
The Protagonist STRUGGLES with the wheel, trying to keep the car on the road with its unaccustomed handling...
PROTAGONIST
Christ!
He can see the Mercedes up ahead, weaving through traffic...