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turning to page one
turning to page one
The Social Network · written by Aaron Sorkin · 2010
Scene 15 of 189 · ≈ 1 min on screen · Act one
Mark Zuckerberg wants status and belonging Harvard's final clubs won't give him, so he builds a website that gives the world both — and loses his best friend and co-founder to the company he built to prove he mattered.
Mark at the campus bar: brilliant, status-obsessed, unable to read the room he's sitting in.
Mark works through Elliot's facebook, exploiting its lack of search limits to scrape every image at once.
Bartenders and a DJ work an exclusive final club party while club members size up the crowd.
Mark notes Lowell's password protection is toothless against Harvard's own network.
This scene
It’s on. Body shots. A couple making out in the corner. A matchbox gets slid open by perfectly manicured fingers that take out a few white pills. Two girls are dancing with each other and move into a kiss.
MARK’s voiceovers are starting to overlap and cascade into each other--
MARK (V.O.) (CONT’D)
Adams has no security but limits the
number of results to twenty a page. All I
need to do is break out the same script I
used on Lowell and we’re set.
MARK (V.O.) (CONT’D)
Quincy has no online facebook, what a
sham. Nothing I can do about that.
CUT TO:
MARK’S DORM ROOM - NIGHT
Instructions and images fly across MARK’s screen--
MARK (V.O.)
Dunster is intense. Not only is there no
public directory but there’s no--
MARK (V.O.) (CONT’D)
Leverett is a little better. It’s
slightly obnoxious that they only let you
view one picture at a time and I’m not
about to--
MARK (V.O.) (CONT’D)
--definitely necessary to break out the
emacs and modify that perl script with--