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Tenet · written by Christopher Nolan · 2020
Scene 115 of 275 · ≈ 2 min on screen · Act two
An unnamed intelligence operative, recruited into a shadow war fought through time-inverted weapons and objects, teams with an enigmatic ally to stop a dying Russian oligarch from using technology gifted by a dying future to erase the present.
The Protagonist in his zone of comfort — a skilled, anonymous field operative, competent and confident inside the Kiev operation.
Broken by torture and 'killed,' he needs a new purpose; Fay offers one that transcends the nation-state loyalties that just got his team killed.
He enters the wholly unfamiliar situation of Tenet — the wind turbine, the password test, and Barbara's proof that time itself can run backward.
The Protagonist begins surveilling Kat at her son's school gates — he commits to using her marriage against Sator, entering the upside-down world of the operation proper.
Kat's appraisal-room scene with the forged Goya begins the relationship — with Kat, and by extension her son Max — that will carry the story's theme of what a parent will do to save a child.
The Protagonist re-approaches Kat at Amalfi to use her as his entry to Sator, formally locking him into the Sator operation rather than working it from the outside.
Kat describes Sator's fortified yacht as the Protagonist proposes joining her aboard.
The Protagonist speeds Kat over to the yacht by boat, drawing Sator's notice.
Sator confronts Kat about the American stranger she brought aboard.
This scene
The Protagonist walks towards a table where Sator, holding court, attacks some crabs. Volkov stops the Protagonist and FRISKS him, in full view of the diners.
PROTAGONIST
Where I’m from, you buy me dinner
first.
Without looking, Sator gestures at a seat, Volkov lets the Protagonist pass. He sits.
PROTAGONIST (CONT'D)
Mr Sator? I’m –
SATOR
(quiet)
Don’t bother. Just tell me if
you’ve slept with my wife, yet.
The Protagonist glances up at Kat, opposite, chatting.
PROTAGONIST
No. Not yet.
A glance from Sator between buttery mouthfuls of crab.
SATOR
How would you like to die?
PROTAGONIST
Old.
SATOR
You chose the wrong profession.
Sator returns a toast from a grinning guest. Reaches a greasy palm to the Protagonist’s cheek, as if in friendliness...
SATOR (CONT'D)
There’s a walled garden up the
road. We’re going to take you
there, cut your throat, not across,
in the middle, like a hole. Then we
take your balls, stuff them in the
cut, block the windpipe.
PROTAGONIST
Complex.
SATOR
It’s gratifying to watch a man you
don’t like try to pull his own
balls out of his throat before he
chokes.
PROTAGONIST
Is this how you treat all your
guests?
SATOR
The ones using my family to get to
me.
PROTAGONIST
How else is someone supposed to get
SATOR
Only a fool wants to be near me.
PROTAGONIST
Or someone who has something worth
delaying your gratification for...
Sator signals Volkov – Kat glances over as Volkov RISES –
SATOR
We’re finished.
PROTAGONIST
Do you like opera?
At this, Sator pauses. Waves off Volkov.
SATOR
Not here. You sail?
PROTAGONIST
I’ve messed around on boats.
SATOR
Be on the dock at eight. Ready to
do more than mess around.
Kat, relieved, watches the Protagonist leave.