· · ·
turning to page one
turning to page one
Solomon's got to reconcile that recollection of his. Brown sure wasn't a performer of any merit. More like a charlatan. As Solomon considers that fact, Clemens states very plainly:
CLEMENS
How I reckon the situation:
whatever past we had...well,
that's done now. The reality to
come is us being transported
southward. New Orleans if I were
to venture. After we arrive,
we'll be put to market.
Clemens Ray chokes a bit. The horrid fate waiting for them becoming quite clear to him.
CLEMENS (CONT'D)
Beyond that... Well, once in a
slave state I suppose there's only
one outcome.
John's anxiety grows.
JOHN
No.
CLEMENS
I don't say that to give you empty
agitation...
JOHN
For y'all. For y'all they ain't
nothin' but that! But John was'n
kidnapped. John bein' hold as
debt, tha's all. Massa pay his
debt, and John be redeemed--
CLEMENS
Boy--
John is nearly beside himself with panic.
JOHN
Now John's...John's sorry for
y'all, but tha's how it be. Where
y'all goin', yah goin' witout
John. Massa take care of me.
Massa take care.
RANDALL
Mama!
All three men turn and look. At the moment Randall doesn't call out emptily. At the door to the yard is Burch along with two women. One in her late twenties; ELIZA. She is "arrayed in silk, with rings upon her fingers, and golden ornaments suspended from her ears."
As she enters the yard Eliza squeals with high delight, then breaks into tears of both sorrow and joy. Clearly this is mother and child being reunited.
As Burch locks the yard door, Eliza clutches both her children. She is overcome with emotion.
ELIZA
My darlings. My sweet, sweet
babes.