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Tenet · written by Christopher Nolan · 2020
Scene 118 of 275 · ≈ 1 min on screen · Act two
An unnamed intelligence operative, recruited into a shadow war fought through time-inverted weapons and objects, teams with an enigmatic ally to stop a dying Russian oligarch from using technology gifted by a dying future to erase the present.
The Protagonist in his zone of comfort — a skilled, anonymous field operative, competent and confident inside the Kiev operation.
Broken by torture and 'killed,' he needs a new purpose; Fay offers one that transcends the nation-state loyalties that just got his team killed.
He enters the wholly unfamiliar situation of Tenet — the wind turbine, the password test, and Barbara's proof that time itself can run backward.
The Protagonist begins surveilling Kat at her son's school gates — he commits to using her marriage against Sator, entering the upside-down world of the operation proper.
Kat's appraisal-room scene with the forged Goya begins the relationship — with Kat, and by extension her son Max — that will carry the story's theme of what a parent will do to save a child.
The Protagonist re-approaches Kat at Amalfi to use her as his entry to Sator, formally locking him into the Sator operation rather than working it from the outside.
Sator menaces the Protagonist over dinner until the mention of opera intrigues him and wins an invitation.
Sator needles Kat about keeping their son at his side and reveals he's recovered the incriminating drawing.
The Protagonist joins Sator's sailing outing as Kat, icy, ignores him.
This scene
The Protagonist tries to catch Kat’s eye, but she will not look his way.
Sator hands the Protagonist a HARNESS and a HELMET... he looks at them, taken aback, then looks ahead – towards TWO GRAPHITE DARK, HIGHEST TECH AMERICA’S CUP SAILING YACHTS, trimmed and ready.
PROTAGONIST
(impressed)
When you said sailing...