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turning to page one
The team has been there working all through the night.
There’s a flurry of activity: Decoding messages, translating the decrypts, reading the information contained within.
Hugh steps back for a moment to look at the product of their work: A BIG MAP ON THE WALL.
ON THE MAP: It’s the Atlantic Ocean. Blue pins represent the Allied ships, red ones represent the Axis ships.
HUGH ALEXANDER
You did it.
(turns to Alan)
Bloody hell, you did it. You just
defeated Nazism with a crossword
puzzle. What does it feel like to
do the impossible?
ON ALAN’S FACE: He’s not sure. Something is bothering him, but he can’t figure out what.
John steps back from his work to join Hugh.
JOHN CAIRNCROSS
There are five people in the world
who know the position of every ship
in the Atlantic. They are all in
this room.
Now Joan joins Hugh and John in seeing the full map for the first time.
JOAN CLARKE
Oh my good God.
HUGH ALEXANDER
I don’t think even He has the power
that we do right now.
JOAN CLARKE
(getting closer to map)
There’s going to be an attack on a
British passenger convoy. There.
JOHN CAIRNCROSS
You’re right. Those U-Boats are
only twenty or thirty minutes away.
JOAN CLARKE
Civilians. Hundreds of them. We can
save their lives.
JOHN CAIRNCROSS
And knock out a whole German fleet
in the process.
HUGH ALEXANDER
I’ll call Denniston. Have him radio
Hugh picks up the phone —
ALAN TURING
(figuring something out)
No.
JOAN CLARKE
Is there enough time to save them?
JOHN CAIRNCROSS
Should be. If we can get a message
to the passenger convoy, she can
turn —
Hugh DIALS —
ALAN TURING
(louder)
No. No.
HUGH ALEXANDER
(into phone)
— Commander Denniston’s office —
ALAN TURING
NO.
HUGH ALEXANDER
(into phone)
— This is urgent, top priority —
ALAN TURING
NO!!!
Alan LEAPS ACROSS THE ROOM and GRABS THE PHONE FROM HUGH.
HUGH ALEXANDER
What the bloody hell?
Hugh tries to grab the phone back —
— But Alan pulls away sharply.
Everyone STOPS. Turns. Looks at Alan.
HUGH ALEXANDER (CONT’D)
Are you mad?
ALAN TURING
No. No. You can’t call Denniston.
You can’t tell him about the
attack.
JOAN CLARKE
Alan, are you all right? What’s
going on?
JOHN CAIRNCROSS
We can have air support over the
passenger convoy in ten minutes.
ALAN TURING
No. Let the U-Boats sink the
convoy.
JOHN CAIRNCROSS
Look, this has been a big day,
maybe you’re going through a bit of
shock —
HUGH ALEXANDER
— There’s no time for this.
Hugh tries to GRAB THE PHONE from Alan —
— but Alan PULLS it away and SMASHES THE PHONE AGAINST THE GROUND.
JOAN CLARKE
Alan!
Hugh can’t take it anymore —
— He TAKES A SWING AT ALAN —
— Who CRUMPLES AT THE BLOW ON HIS JAW —
— Hugh stares down at Alan, who’s bleeding on the floor —
— Hugh WINDS UP FOR ANOTHER PUNCH —
— When Joan CATCHES HIS ARM mid-swing —
— Surprised, Hugh instinctively SWINGS AT HER —
— Smacking Joan hard across the face.
— He’s stunned by what he’s done as she responds by PUSHING HIM INTO A TABLE —
— And Hugh falls to the floor, next to Alan.
Joan stands above them.
JOAN CLARKE (CONT’D)
(to Hugh)
If you hurt him, you will just
barely live to regret it.
Silence. Just the sounds of panting.
JOHN CAIRNCROSS
Everyone stop. Please. Calm down.
PETER HILTON
The attack is in minutes. We don’t
have time to calm down.
ALAN TURING
Do you know why people like
violence, Hugh? Because it feels
good.
(wipes blood from his nose)
It would feel good to blow those U-
Boats out of the Atlantic. But
sometimes we can’t do what feels
good. We have to do what’s logical.
JOHN CAIRNCROSS
What’s logical?
ALAN TURING
The hardest time to lie is when the
other person is expecting to be
lied to.
JOAN CLARKE
(getting it)
Oh my God.
JOHN CAIRNCROSS
What?
ALAN TURING
If they’re waiting for a lie, you
can’t just give them one.
JOAN CLARKE
Oh my God. Damn it. Alan’s right.
PETER HILTON
What?!?
ALAN TURING
What will the Germans think if we
destroy those U-Boats?
PETER HILTON
Nothing. They’ll be dead.
JOHN CAIRNCROSS
(getting it)
No. No. You can’t be right.
PETER HILTON
Am I the only one who’s still not
getting this?
ALAN TURING
Suddenly our convoy veers off
course and a fleet of RAF bombers
magically descends on the location
of a pack of U-Boats? What will the
Germans think?
PETER HILTON
Hugh?
HUGH ALEXANDER
... The Germans will know we broke
Enigma.
JOAN CLARKE
They’ll put a halt on radio
communication by noon.
And they’ll have the design of
Enigma changed by the weekend.
ALAN TURING
Two years of work. Everything we’ve
done here. It’ll all be for
nothing.
JOHN CAIRNCROSS
There are 500 people in that
convoy. Civilians. Women. Children.
We’re about to let them die.
ALAN TURING
Our job wasn’t to save one
passenger convoy. It was to win the
war.
HUGH ALEXANDER
Our job was to break Enigma.
ALAN TURING
Done. Now for the hard part:
keeping it a secret. Forever.
Peter looks at the map...
PETER HILTON
It’s the Carlisle.
They all look at him.
JOAN CLARKE
What?
PETER HILTON
The convoy you’re about to...
It’s... The HMS Carlisle is one of
the ships.
ALAN TURING
So?
PETER HILTON
We can’t act on every piece of
intelligence? Fine. We won’t. Just
this one. The Germans won’t find us
out if we stop one attack.
JOAN CLARKE
What’s gotten into you, Peter?
PETER HILTON
... My brother. Phillip. He’s on
the Carlisle. Gunnery ensign.
Silence. Fuck.
ALAN TURING
I’m sorry.
PETER HILTON
Who the hell do you think you are?
This is my brother. My big brother.
He was the only one — Look, he was
there after my mum — He’s my big
brother, alright, and you have a
few minutes to call off his murder.
ALAN TURING
It’s not my fault.
Peter DIVES for Alan —
— But John stops him.
JOHN CAIRNCROSS
Alan is right. We can’t.
PETER HILTON
AND WHY THE BLOODY HELL NOT? I am
begging you. Alan. Joan. Hugh.
John. Please. I am begging you.
Just this once. Just one time. The
Germans won’t get suspicious just
because we stopped one attack. It’s
one time. No one will know. I’m
asking you. As your friend. If I
mean anything to you. Please.
Silence. This is the hardest thing anyone in this room has ever had to do.
ALAN TURING
I’m so sorry.
PETER HILTON
You’re not God, Alan. You don’t get
to decide who lives and who dies.
ALAN TURING
Yes, we do.
PETER HILTON
Why? Why?
ALAN TURING
Because no one else can.