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The hotel lobby is empty. There is nobody around apart from the RECEPTIONIST. On the walls are various classic-looking paintings, all of which show couples in a characteristic pose: the man seated in an armchair with the woman standing by his side. There are also some paintings, again in a classic style, of animals, such as a horse, a duck or some other bird. The receptionist is a young woman with a friendly face and a calm voice. Biscuit Woman and the other woman, David, Limping Man and the Bald Man stand in front of the reception desk.
RECEPTIONIST
Welcome. Have any of you stayed in
the hotel before?
BISCUIT WOMAN
I have.
RECEPTIONIST
Excellent. Then you know the rules.
If you like, you can wait in the
lobby. You’ll find today’s papers,
and we can bring you tea or coffee
or a soft drink.
BISCUIT WOMAN
I’d like to hear the rules again,
if you don’t mind. I mean, it’s
been ten years since I was last
here and I’ve forgotten a number of
things. Like the bit with the days
where you hunt the people in the
woods with a bow and arrow, the
night of the slaughter and so on.
RECEPTIONIST
Some things have changed. We use
tranquilliser guns now instead of
bows and arrows and the night of
the slaughter has been done away
with. I’ll go over everything again
with you. I don’t mind at all.
BISCUIT WOMAN
Does Toby still work here?
RECEPTIONIST
Who’s Toby?
BISCUIT WOMAN
Toby. The outdoor bar waiter.
RECEPTIONIST
I don’t know. You’ll have to ask
one of the outdoor bar staff. I’d
like you all to form a line. I
suggest the gentlemen allow the
ladies to go first, although this
isn’t compulsory. You can sort this
out amongst yourselves.
The gentlemen allow the ladies to go first.