· · ·
turning to page one
turning to page one
The Social Network · written by Aaron Sorkin · 2010
Scene 137 of 189 · ≈ 1 min on screen · Act two
Mark Zuckerberg wants status and belonging Harvard's final clubs won't give him, so he builds a website that gives the world both — and loses his best friend and co-founder to the company he built to prove he mattered.
Mark at the campus bar: brilliant, status-obsessed, unable to read the room he's sitting in.
He wants to matter — to be let into the final clubs, to be exceptional enough that Erica's verdict is wrong — and Facemash is the first proof-of-concept.
He takes the Winklevoss pitch as a springboard, builds theFacebook in its place, and launches it into a world he can't control.
Sean Parker enters at the 66 dinner and becomes the relationship — equal parts mentor and corrupter — that carries the story's real theme about loyalty and ambition.
The dinner at 66 with Sean Parker — "a billion dollars, that's cool" — reframes the company's ambition and pulls Mark irreversibly toward Sean's orbit.
Sean spins his marlin-versus-trout metaphor for going big, with Christy and Eduardo needling the logic while Sean stays above it all.
Eduardo tells the lawyers Sean owned Mark after that dinner.
Sean picks up the check and, as his parting gift, tells Mark to drop the 'the' from theFacebook.
This scene
EDUARDO
That’s gotta be some kind of land speed
record for talking.
MARK
You want to end the party at eleven.
EDUARDO
I’m trying to pay for the party.
MARK
There won’t be a party unless it’s cool.
(beat)
What’d you think?
EDUARDO
Sure, let’s drop the “the”.
MARK
I meant catching the marlin instead of
the 14 trout. Doesn’t that sound good?
EDUARDO
If you’re a trout.
CUT TO: