Develop your story into a screenplay.

A desktop Studio and creative partner that remembers every choice you make, and why, from the first idea to the last page. You choose what becomes part of the story.

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Pages A finished scene, written from the plan you approved.

58.

INT. HUNSFORD PARSONAGE - SITTING ROOM - EVENING

Rain on the window. ELIZABETH BENNET (20) sits alone, her sister’s letters open in her lap.

The bell. MR. DARCY (late 20s) is shown in. He asks after her health, sits, rises, and walks the length of the room.

She watches him. She does not help.

He stops in front of her chair.

DARCY

In vain have I struggled. It will not do.

She looks up. Her colour rises.

DARCY (CONT’D)

You must allow me to tell you how ardently I admire and love you.

Elizabeth folds her sister’s letter, very slowly, and sets it aside. Then she stands.

Scene plan Before a word is written, the scene’s purpose is agreed. By you.

Scene plan

She refuses him

Enters: He has slighted her family. Today she learned he parted Jane from Bingley.
Moves: He comes to propose, and cannot stop naming what it costs him.
Pressure peaks: He is sure of her answer. She is sure of his faults.
Leaves: She refuses him and tells him why. He goes away to write his answer.

Approved by you, revision 3

Characters What the story knows about them, and what is still only a possibility.

Elizabeth Bennet

Characters

Wants: To marry for nothing less than the deepest love.
Fears: Being wrong about someone, and learning it too late.
Contradiction: Prides herself on judging people. Judged him in one evening.

For one moment, she is flattered.

A possibility

Story Space Where it began: your own words, kept with the night you said them.

Your words, 11 June, 9.05 pm

“What if she’s flattered for one second before she’s furious? Just one. The whole refusal is her punishing herself for that second. I think that’s the real scene.”

Still open Kept in Story Space with the conversation it came from.

The whole story One story, wherever you work on it.

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In the grove at morning: Darcy’s letter, unopened.

What does Elizabeth do with it?She reads it, angry, to the end.A possibilityShe burns it unread.A possibilityShe gives it to Jane.A possibility

What it touches

Choose one. Until you do, all three stay possibilities, and nothing else in the story moves.

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Study the structure of great films. Arrange a story of your own, then take it to paper.

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First Principles

The craft we steer by, drawn as a sky. Every note traces back to one person: the viewer.

26 craft notes, 3 lenses

See the sky of the craft

Every screenplay begins with a title page.

Put your name on yours. The candles burn down at Pemberley. Your story doesn’t.

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The Studio, where you’ll write it, is coming soon.

Or step into another story: Dracula

YOUR TITLE

Written by

Your name

First draftNovember 2026